Mediterranean Landscape Design: Vernacular Contemporary (Hardcover)

Mediterranean Landscape Design: Vernacular Contemporary Cover Image

Mediterranean Landscape Design: Vernacular Contemporary (Hardcover)

By Louisa Jones, Clive Nichols (By (photographer))


This book has been declared out of stock indefinitely, so we are unlikely to be able to get it.

Inspiring and joyful designs from France, Morocco, Italy, Greece, and Spain: an essential companion for anyone interested in landscape design, gardens, and art.

Human beings have been transforming Mediterranean landscapes into art for at least 30,000 years. Millennia of human negotiations with the land prove that to “tread lightly” on the earth need not be at odds with our interface with nature.

Today’s landscape architects, designers, land artists, sculptors, and gardeners are taking inspiration from age-old materials, skills, and sites to produce landscape designs and art that celebrate living in this multifaceted region. All involve a strongly graphic vision of the landscape; are site-generated; and observe the logic of place as determined by climate, geology, flora and fauna, architecture, and land use.

Contemporary landscape designers and land artists from Nicole de Vésian to Fernando Caruncho, Heidi Gildemeister to Paolo Pejrone, Andy Goldsworthy to Gilles Clément, and Jacqueline Morabito to Ian Hamilton Finlay are featured.

Canadian by birth, Louisa Jones has lived in Southern France for nearly forty years. She is the author of many books on gardens and landscape, including The French Country Garden and Reinventing the Garden.

Clive Nichols was voted Garden Photographer of the Year by the Garden Writers Guild. He is based in England.
Product Details ISBN: 9780500516119
Publisher: Thames & Hudson
Publication Date: May 15th, 2012
Pages: 224
Language: English
One of the dozens of sites documented in Louisa Jones’s ‘Mediterranean Landscape Design’.... [Ian Hamilton] Finlay’s Provençal fantasy is a testament to the universality of his art, as much at home among olive and lavender terraces as the flinty hills of Scotland.
— Wall Street Journal