A New York Times Book Review Notable Book of the Year
An Entertainment Weekly Best Novel of the Year
An NPR Top Ten Novel of the Year
A Washington Post Notable Book of the Year
Esquire Book of the Year
A jury chooses a memorial for the victims of a devastating terrorist attack on Manhattan, only to learn that the anonymous designer is an American Muslim -- an enigmatic architect named Mohammad Khan. His selection reverberates across a divided, traumatized country and, more intimately, through individual lives. Claire Burwell, the sole widow on the jury, becomes Khan's fiercest defender. But when the news of his selection becomes public, she comes under pressure from outraged family members and into collision with hungry journalists, opportunistic politicians, and even Khan himself. A story of clashing convictions and emotions, and a cunning satire of political ideals, The Submission is a resonant novel for our times.
About the Author
Amy Waldman was co-chief of the South Asia bureau of The New York Times. Her fiction has appeared in The Atlantic and the Boston Review and is anthologized in The Best American Nonrequired Reading 2010. She lives with her family in Brooklyn. The Submission is her first novel.
“A masterful debut . . . Waldman unspools her story with the truth-bound grit of a seasoned journalist and the elegance of a born novelist.” —Entertainment Weekly “Gripping, deeply intelligent . . . panoramic in scope but thrillingly light on its feet . . . [A] dazzling tapestry of a grieving city.” —Kimberly Cutter, Marie Claire "The Submission reads as if the author had embraced Tom Wolfe's famous call for a new social realism...and in doing so has come up with a story that has more verisimilitude, more political resonance, and way more heart than Mr. Wolfe's own 1987 bestseller, The Bonfire of the Vanities."—Michiko Kakutani, The New York Times Book Review "A gorgeously written novel of ideas...The Submission is sure to generate a lot of discussion in book clubs across the land."—NPR's Fresh Air "Addictively readable...Not unlike The Wire's David Simon...Waldman has an eye for the less sound bite-worthy but crucial ways in which ideology and influence make their imprint on the world."—Vogue