Most of the wealth in Dove Creek, West Virginia, is in the earth-in the coal seams that have provided generations with a way of life. Born and raised here, twenty-seven-year-old Cole Freeman has sidestepped work as a miner to become an aide in a nursing home. He's got a shock of bleached blond hair and a gentle touch well suited to the job. He's also a drug dealer, reselling the prescription drugs his older patients give him to a younger crowd looking for different kinds of escape.
In this economically depressed, shifting landscape, Cole is floundering. The mining corporation is angling to buy the Freeman family's property, and Cole's protests only feel like stalling. Although he has often dreamed of leaving, he has a sense of duty to this land, especially after the death of his grandfather. His grandfather is not the only loss: Cole's one close friend, Terry Rose, has also slipped away from him, first to marriage, then to drugs. While Cole alternately attempts romance with two troubled women, he spends most of his time with the elderly patients at the home, desperately trying to ignore the decay of everything and everyone around him. Only when a disaster befalls these mountains is Cole forced to confront his fears and, finally, take decisive action-if not to save his world, to at least save himself.
The Evening Hour marks the powerful debut of a writer who brings originality, nuance, and an incredible talent for character to an iconic American landscape in the throes of change.
About the Author
Carter Sickels, a graduate of the MFA program at Pennsylvania State University, was awarded fellowships to Bread Loaf Writers' Conference, the Sewanee Writers' Conference, and the MacDowell Colony. After living for a decade in New York City, Sickels left to earn a master's degree in folklore at the University of North Carolina at Chapel Hill. He now lives in Portland, Oregon.
"A plainspoken novel, but one with intensely lyrical moments, about the devastation of the West Virginia landscape—and the devastation to the local communities—owing to mountaintop removal... Sickels has great insight into the emotional life of West Virginians, and he refreshingly presents them as fully realized characters." —Kirkus Reviews "Sickels's debut revolves around a cast of characters whose world is pulled out from under them... The novel is grounded in rich storytelling." —Publishers Weekly "Cole's point of view is one not often encountered in contemporary fiction. First-time novelist Sickels paints [his] experience with an unflinching hand." —Library Journal "In this stark, beautiful debut, Sickels writes with gentle grace and cutting honesty about characters as wounded as the condemned land on which they live. The Evening Hour is a raw, aching book that gleams with moments of unflinching truth and unexpected tenderness, casting light into dark corners, revealing both damage and dignity. It's a stunning novel." —Aryn Kyle, author of The God of Animals and Boys and Girls Like You and Me “The troubled heart of the country, and the hearts of the deeply compelling people who populate it, beat strongly and unforgettably in The Evening Hour. Carter Sickels is a tremendous novelist with a tremendous story to tell in these pages, and he tells it with beauty and power.” —Stacey D’Erasmo, author of The Sky Below “The Evening Hour could be a hymn sung out in a country church; when I finished it, I wanted to close my eyes, listen to its echoes, feel the power of its song. For that is what this beautiful book is: a sweet-souled, hard-eyed prayer for a beleaguered people and the beloved landscape they call home. With striking authenticity and admirable restraint, Carter Sickels brings both forcefully to life in his deeply moving, spiritually uplifting debut.” —Josh Weil, author of The New Valley “The Evening Hour is engrossing. It elicits strong, complicated emotions from the first page. I felt inhabited by the characters, and as the page numbers increased, I was as scared for it to end as I was to see what would happen.” —Nick Reding, author of Methland “A refreshing cry from the populace, Carter Sickels’s The Evening Hour captures the spirit of America’s New Feudalism. The setting is West Virginia and Heritage Coal has a monopoly: on the land, on the lives of the people who work for them, and on the families who live downhill from the toxic sludge pond. Life is hell and survival is all there is. Some have the Bible, some have booze and pills and sex, and some still dare to have a dream.” —Tom Spanbauer, author of The Man Who Fell in Love with the Moon