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Classical on account of his subjects, modern on account of his sense of composition, color, and light, the Nabis painter Pierre Bonnard (1867–1947) followed his path away from the great currents and movements of the first half of the twentieth century. In more than 250 landscapes, portraits, self-portraits, female nudes, interior scenes, and still lifes, this monograph gathers most of the artist's work.
About the Author
Guillaume Morel is a journalist, historian, and author of numerous books.